Before going into details, I have to thank Paula Roland for sharing her knowledge and for devoting a lot of energy into teaching and promoting Encaustic Monotype. Without attending her different demos at the conference over the last 3 years, all what you are about to read would not have happened. I strongly believe in sharing the different techniques we develop and I truly don't think it is to our advantage to keep for ourselves any tricks, thinking they make us unique and guarantee even a small place in the art world.
More than fifteen years ago, my mother, the flutist Gisèle Millet, was organizing weeklong master classes with New York based flutist Robert Dick. He is an amazing composer, musician and a true pioneer in developing new ways of flute playing. It is by attending his concerts and master classes that I became truly convinced that knowledge is made to be taught and shared.
Ce feu du soir II and Vers le soir I, 2010